其实我来说是很没资格的。不仅是因为我对电影拍摄的了解并不太深。更因为我没看过09年最大的一部片子：Avatar。很遗憾，国内很快2D影院就下线了。我只能等着看下载了。大概还要一两个月。
最佳影片，最佳导演这些大家说得太多。所以我就懒得说了。不妨说说技术类的。虽然大家不是很关心，但是对于电影来说其实是非常重要的。套用一句广告词：技术不好，戏再好也出不来。而且其实很多所谓的"技术"，其实已经不单纯是技术了。是电影艺术的核心部分。比如剪辑和摄影。
Achievement in cinematography
"Avatar" (20th Century Fox) Mauro Fiore
"Harry Potter and the Half-Blood Prince" (Warner Bros.) Bruno Delbonnel
"The Hurt Locker" (Summit Entertainment) Barry Ackroyd
"Inglourious Basterds" (The Weinstein Company) Robert Richardson
"The White Ribbon" (Sony Pictures Classics)
这里我其实只看过Inglourious Basterds。其他的都只看过trailer了。White Ribbon和Hurt Locker下载了，一直没看。我个人觉得The Hurt Lock是最有可能的。镜头的构图和摄影机运动都很讲究。手持摄影段落也非常舒服。Avatar视觉效果太过华丽，反而让人没法注意到摄影和剪辑这些地方。
Achievement in art direction
"Avatar" (20th Century Fox) Art Direction: Rick Carter and Robert Stromberg
Set Decoration: Kim Sinclair
"The Imaginarium of Doctor Parnassus" (Sony Pictures Classics) Art Direction: Dave Warren and Anastasia Masaro
Set Decoration: Caroline Smith
"Nine" (The Weinstein Company) Art Direction: John Myhre
Set Decoration: Gordon Sim
"Sherlock Holmes" (Warner Bros.) Art Direction: Sarah Greenwood
Set Decoration: Katie Spencer
"The Young Victoria" (Apparition) Art Direction: Patrice Vermette
Set Decoration: Maggie Gray
这个主要是说布景和道具。服装和化妆另外有单独的奖。这个应该没什么悬念：Avatar。从布景的精美和用心程度上，近年来都是少见的。
Achievement in film editing
"Avatar" (20th Century Fox) Stephen Rivkin, John Refoua and James Cameron
"District 9″ (Sony Pictures Releasing) Julian Clarke
"The Hurt Locker" (Summit Entertainment) Bob Murawski and Chris Innis
"Inglourious Basterds" (The Weinstein Company) Sally Menke
"Precious: Based on the Novel 'Push' by Sapphire" (Lionsgate) Joe Klotz
其实我也就看过D9和Inglourious Basterds。我觉得还是D9获奖概率大。用了大量非传统的DV镜头。而且要点是：平衡了真实性和可看性。真的DV是没法看的。看久了要吐的。但D9给人的感觉非常舒服。而且还和Paul Greenglass的风格不同。从分辨率和DR上都看得出是不同的。Inglourious Basterds的剪辑太无聊了。镜头本身变化就不多，镜头本身的运动和镜头内的运动都很少。完全是个用台词推进的电影。
Achievement in sound editing
"Avatar" (20th Century Fox) Christopher Boyes and Gwendolyn Yates Whittle
"The Hurt Locker" (Summit Entertainment) Paul N.J. Ottosson
"Inglourious Basterds" (The Weinstein Company) Wylie Stateman
"Star Trek" (Paramount and Spyglass Entertainment) Mark Stoeckinger and Alan Rankin
"Up" (Walt Disney) Michael Silvers and Tom Myers
Achievement in sound mixing
"Avatar" (20th Century Fox) Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
"The Hurt Locker" (Summit Entertainment) Paul N.J. Ottosson and Ray Beckett
"Inglourious Basterds" (The Weinstein Company) Michael Minkler, Tony Lamberti and Mark Ulano
"Star Trek" (Paramount and Spyglass Entertainment) Anna Behlmer, Andy Nelson and Peter J. Devlin
"Transformers: Revenge of the Fallen" (DreamWorks and Paramount in association with Hasbro, Distributed by Paramount) Greg P. Russell, Gary Summers and Geoffrey Patterson
其实我现在还不知道sound editing和sound mixing到底有啥具体区别。事实上从The Hurt Lock中一个人身兼两职也可以看出来，其实分得不是那么清楚。所以就和在一起说了。而且提名的电影也几乎是一样的。这个其实就真的要看了才知道。从trailer和片段是看不出的。我觉得Inglourious Basterds的声音还不错，但如果要说这就是今年最好，那么今年的电影水平不高。T2的混音做得相当好，但有点太乱了，不能让人留下深刻印象。Star Trek明天看看，再说。我觉得还是Avatar机会大一些。
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